At an age where many print publications have gone digital, Fisheye emerges in France as a bi-monthly with a tactile ability to recognise excellence and new energies in contemporary photography. But it would be reductive to consider Fisheye merely a print magazine. Since 2013, it has been unpacking, decoding and rearranging the photographic zeitgeist in every single edition. Having proved their approach successful in its home country, Fisheye is taking a significant step forward and is now exploring the scene in Asia.
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